PreSonus StudioLive Series III SE 32 Digital Mixer with 40 Channel 26 Bus Design, 33 Motorized Faders, 64x64 USB Recording, Milan AVB Networking & Studio One Integration, Black
- Small Format Digital Mixer
- One-to-One Channel Control
- Metro: Live Remote Mixing Over Internet
- 33 Touch-Sensitive Motorized Faders
- 32 XMAX Preamps: 16 Mic and 16 Mic/Line
- 16 Analog FlexMix Outs: 12 XLR and 4 TRS
- Onboard 34-Track SD Recorder
Warranty: 1 Year — effortless warranty claims with UK-wide coverage. Learn more
Details
- Shipping Weight
- 22.90 Kg
- Shipping Dimensions
- 79.38 cm x 94.62 cm x 32.39 cm
- Product Name
- StudioLive® Series III SE 32 Digital Console Mixer
- Series
- StudioLive®
- Color
- Black
- Headphone Jack
- 1/4" TRS Active Stereo
- Phantom Power
- +48 VDC (±2 VDC)
- Power Consumption
- 85W (Continuous)
- Voltage Requirements
- 100–230 VAC, 50–60 Hz
- Digital Audio AES/EBU Output
- XLR Male
- Digital Audio AVB Network Ports
- Neutrik® etherCONN®
- Digital Audio Bluetooth Input
- 4.1, Stereo
- Digital Audio Network Control Port
- RJ-45
- Digital Audio USB Recording Port
- USB 2.0, Type-B
- Tape Connection Type
- RCA Female, Unbalanced (Stereo Pair)
- Line Input Connection Type
- 1/4" TRS Female, Balanced
- Line Inputs Frequency Response
- 20–20 kHz (±0.5 dBu at Unity Gain)
- Line Inputs Impedance
- 10 kΩ
- Line Inputs Maximum Level
- +18 dBu
- Line Inputs S/N Ratio
- 94 dB (Ref = +4 dBu, 20 kHz BW, Unity Gain, A-Weighted)
- Microphone Input Type
- XLR Female, Balanced
- Mic Preamp CMRR
- 65 dB (1 kHz, Unity Gain)
- Mic Preamp Frequency Response
- 20–20 kHz (±0.5 dBu at Unity Gain)
- Mic Preamp Gain Range
- 0–60 dB (±1 dB)
- Mic Preamp Input Impedance
- 1 kΩ
- Mic Preamp Maximum Input Level
- +12 dBu (Unity Gain)
- Mic Preamp S/N Ratio
- 94 dB (Ref = +4 dBu, 20 kHz BW, A-Weighted)
- Tape Maximum Input Level
- +12 dBu (±0.5 dBu)
- Media Storage Capacity
- SD Card: 2 GB; SDHC Card: 32 GB
- Product Width
- 32.37” (822.21 mm)
- Product Depth
- 22.97” (583.84 mm)
- Product Height
- 6.51” (165.36 mm)
- Product Weight
- 37.2 lbs (16.9 kg)
- Refinement Weight
- 26–50
- Digital Audio Internal Processing
- 32-Bit Floating Point
- Power Cable
- IEC
- Operating Temperature
- 0°C to 40°C / 32°F to 104°F
- Recording File Format
- WAV
- Supported Media Format
- FAT16 (SD), FAT32 (SDHC)
- Supported Sample Rates
- 44.1 kHz, 48 kHz
- Headphone Outputs Frequency Response
- 20 Hz–20 kHz (±0.5 dB)
- Headphone Outputs Maximum Output
- 100 mW/ch @ 60Ω load
- Headphone Outputs S/N Ratio
- 96 dB (1 kHz, Max Gain, 20 Hz BW)
- Headphone Outputs THD
- 0.01% (1 kHz, Max Gain, 20 Hz BW)
- Line Outputs Connection Type
- 1/4" TRS Female, Balanced
- Line Outputs Maximum Level
- +18 dBu (±0.5 dBu)
- Line Outputs Impedance
- 100 Ω
- Tape Maximum Output Level
- +18 dBu (±0.5 dBu)
- Tape Output Impedance
- 100 Ω
- XLR Outputs Maximum Output Level
- +24 dBu (±0.5 dBu)
- XLR Outputs Output Impedance
- 100 Ω
- Crosstalk (Adjacent Channels)
- -87 dB (Ref = +4 dBu, 20 Hz–20 kHz)
- Digital Audio Bit Depth
- 24-bit
- Digital Audio Dynamic Range
- ADC: 115 dB / DAC: 115 dB (A-Weighted, 48 kHz)
- Digital Audio Ref Level (0 dBFS)
- +18 dBu
- Digital Audio Total System Latency
- 1.9 ms (Analog In–Out, all processing active)
- SD Recorder Bit Depth
- Recording: 24-bit / Playback: 16 or 24-bit
- SD Recorder Sampling Rate
- 44.1 or 48 kHz
4.73 reviews
Got something to share?
Rate this product — your experience helps other buyers.
Thomas B. Used for: More than a year
Pros
Two years of weekly services with no faults at all
Cons
The fader caps have started to shine where the same hands sit
Comment
It has run every service and every midweek rehearsal since it arrived, more than a year now, and nothing has failed. The only wear is cosmetic. My one gripe is that the software updates always seem to land the week before Christmas.
Charlie P. Used for: Less than a month
Pros
Motorised faders that recall a whole scene in a second
Cons
It is a big desk and it needs a big case
Comment
Bought for a church that had outgrown an analogue desk, and the difference at the first service was the scene recall. Sunday morning setup went from half an hour of matching a photograph to pressing a button. Sixteen monitor mixes as well, twelve of them in use, which the band noticed before anyone told them about it.
Freya B. Used for: Less than a month
Pros
The iPad app means you can mix from the room itself
Cons
The learning curve is a fortnight, not an afternoon
Comment
Every fader moves on its own and the whole band gets its own mix. Extraordinary desk!
