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Used for: Less than a month
Scrubs a 6K timeline with no proxies anywhere near it
A serious lump to get up a flight of stairs
First week of grading on it and the proxy workflow has already gone in the bin!
Used for: 3–6 months
Renders finish while the kettle boils rather than overnight
The front ports hide behind a flap that snags on the desk edge
Four months of daily grading and what I notice most is everything I have stopped doing. No proxy media, no waiting on a conform, no planning the day around a render queue. It simply keeps up!
Used for: 1–3 months
When it is working the timeline never stutters
The fans have a rattle at anything above idle
Two stars and it is entirely about the noise. In an edit suite you can hear everything, and this sits under the desk making a low rattle that comes and goes with the fan curve. It is not the volume so much as the character of it, because a steady hum I could live with and this one warbles. Six weeks of trying to ignore it and I have taken to working in headphones, which rather defeats the point of having a treated room.
Used for: Less than a month
Nothing about it is a quiet purchase, the box alone needed two of us
It took two of us to get it up to the first-floor suite and I would not want to repeat the exercise in a hurry. Once it was under the desk, though, the first job on it was a two-hour multicam that the old machine used to choke on, and it played back at full resolution with noise reduction on. No proxies, no waiting for a render before a client can look at anything. Whether it stays this composed in August is the open question, but so far it has been a revelation.
Used for: 6–12 months
ECC memory has done exactly what it was bought to do
It draws enough to show up on a small studio bill
The memory is why we paid for a proper workstation instead of a fast desktop with a big graphics card in it. Long overnight renders used to fall over around the eight-hour mark and nobody could ever say why. Since this arrived, not one failed job.